This site uses cookies to improve your experience. To help us insure we adhere to various privacy regulations, please select your country/region of residence. If you do not select a country, we will assume you are from the United States. Select your Cookie Settings or view our Privacy Policy and Terms of Use.
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Used for the proper function of the website
Used for monitoring website traffic and interactions
Cookie Settings
Cookies and similar technologies are used on this website for proper function of the website, for tracking performance analytics and for marketing purposes. We and some of our third-party providers may use cookie data for various purposes. Please review the cookie settings below and choose your preference.
Strictly Necessary: Used for the proper function of the website
Performance/Analytics: Used for monitoring website traffic and interactions
MAD Architects has unveiled the One River North apartment block in Denver Located next to a major interstate and light rail line, the 15-storey block's western facade has a curved facade clad in a glass curtain wall with a massive cut "cracking" the building open.
A central structural element was covered in plywood Clad in corrugated black metal with minimal overhangs, the would-be parallel gables are canted inward to form a jagged central courtyard and redirect interior views across a terrace and through a clearing.
The home measures 230 square metres and is less than five metres wide, so clever spatial moves were required to make the interiors feel more spacious. Wooden cabinetry and white surfaces allow this space to feel light and bright, aided by the large sliding glass door that leads out to the back yard.
The holiday home features native oak cladding and faceted roofs "In search of a relationship with the site, native woods were used hualle oak for the exterior and interior cladding, and coige for the furniture doors in the common areas," said Santiago-based Hebra Arquitectos. Sleeping space was maximised in the guest rooms.
American architecture studio SOM has completed the Schwarzman College of Computing, an eight-storey, glass-wrapped building designed to be a "collaborative nexus" on the Massachusetts Institute of Technology campus in Cambridge. Beyond their aesthetic function, the shingles enhance the building's energy performance.
Architecture studio Gensler has placed glass-clad volumes on an aluminium base for the mixed-use Sixth and Guadalupe skyscraper in Austin , making it the city's tallest skyscraper. Private residential balconies line the majority of the upper levels, while planes of glass curtain wall cover the building's angeled sides and the office floors.
Inside the brick pumphouse, much of the historical machinery was maintained For the brick pumping station building, the studio utilised the capacity of the gantry crane structure to create a "floating floor" in the large central hall, above the original machinery. The photography is by James Brittain.
Specht Architects has designed a symmetrical glass pavilion in The Berkshires in Massachusetts that was created as a residence and a place to showcase antiques. metre) wide porch that wraps around the entire house and shades the interior spaces, reducing the home's heating and cooling load. The photography is by Dror Baldinger.
US architect Philip Johnson's Glass House annexe, the Brick House, has been restored and reopened following a 15-year closure in Connecticut. Architect Mark Stoner has led the restoration of Philip Johnson's Brick House It follows the building's closure in 2008 after the structure suffered ongoing "water intrusion" due to its sloping site.
These rooflines open up the interior spaces to views of the surrounding treetops. This opens to a generous patio via sliding glass doors. Through large glass panels that open widely, the house integrates with the ambient vegetation, dissolving the boundary between interior and exterior," they explained. noma de Me?xico
Walls of glass peel back from one corner of the Melbourne expansion to further connect the living space to the outdoors. It seamlessly bridges the indoors and outdoors, transforming the interiors with an influx of natural light and a connection to the surrounding garden. Have one to share? Post it here.
The Apple Tree House is a modernist-style glass residence. ACDF Architecture arranged the structure around an apple tree. Glass walls throughout the public areas of the home give sightlines of the tree and the other living areas from a variety of different positions. Structuralengineer: Poincaré – Paul-Henry Boutros.
First, the roof ridge was located in the center of the volume, to allow for the highest interior space. Secondly, the entire facade in this segment is made of glass, even above the sliding glass doors. Have one to share? Post it here. With the same logic of keeping costs down, the floor was defined as polished concrete."
US studio Olson Kundig Architects has shaded a boxy, glass office complex with aluminium screens near Atlanta's BeltLine and included a glass-clad volume to connect to buildings and frame the pedestrian paths. We wanted to make the building porous, which in turn helped to drive the form," said design principal Kirsten Ring Murray.
Continuing to interrogate the fundamental nature of a partition, the installation of a garden folly responds to the inhuman proportions found in the newly combined double-height space, which opens to the city through 22-foot-tall glass walls on three sides, and takes on the scale of landscape.
The interior of the home remains clean, simple, and minimal to accentuate a light-filled space that allows the natural outdoor landscaping to be the focus. We chose to utilize a dark cedar exterior to ground the home within the surrounding dunes and a contrasting natural cedar to accentuate the point of entry.
The concrete sand-coloured monolith structure of Casa LL resembles cliff sculpted for habitation To the right of the entrance is a separate family suite with three bedrooms, two bathrooms and a small kitchen and living room. All of the spaces look towards the main backyard through sliding glass doors. Previously, RA!
The studio added a metal and glass extension to the school The extension included the "careful inssertaion" of a modern, glass-lined structure between the cathedral and the school. For the restoration, the team revamped large portions of the school building's, extending the programme of the addition's interior throughout.
PDP was tasked with retaining the scale, grandeur and high-quality finishes of the office building's art deco interiors while upgrading its circulation and facilities to meet modern requirements. The studio added glass and steel extensions that have an art deco look. An interior courtyard garden was added to the office building.
Local studio Hopson Rodstrom Design placed a sawtooth roof on top of this black-clad apartment building with an interior courtyard in southern California. Its facade is interspersed with many skinny windows The seven-storey structure has a ground-level podium clad in green-painted concrete interspersed with steel gates.
Large stretches of glass wrap the exterior In addition to large stretches of glass, the exterior is wrapped in a mix of two sturdy materials – weathering steel and pale-toned accoya wood. The 3,980 square-foot (370-square-metre) house is organised to make the most of views while providing privacy where needed.
Snøhetta has renovated and added an extension to the Joslyn Art Museum The museum consists of a main building completed in 1931 by Nebraska architects John and Alan McDonald and an extension by Norman Foster added in 1994, which sits directly to the side and is linked by a thin glass atrium that runs between the two volumes.
The inside of the third garden is a buffer that connects the outside garden with the interior. In the front garden, where the neighbors’ children play, they do DIY projects and make firewood. From the south garden where the wind is blowing, Osaka Airport and Osaka’s city center can be seen far away.
White precast concrete cladding surrounds the boundaries that wrap around the structure, interspersed in parts on the wide side by glass. "We Lim also noted that the concrete balustrades across the structure's face are turned slightly upwards in order to increase privacy and create a "striking" effect from a distance.
The ground level of the rectangular stadium is enclosed with light-grey masonry and glass The ground level of the rectangular stadium is enclosed with light-grey masonry and glass that allow views both into and out of the venue.
With raised ceiling heights and large windows and glass sliding doors, the open and airy great room now extends out onto the patio surrounded by lush landscaping to create one even larger indoor-outdoor room," said Klopf Architecture. Conversely, the rear has a large glass sliding door and is clad in weathered wood.
The interior spaces have stark white walls and ceilings The ground level contains a garage, storage space, gym, bathroom and small kitchen. Read: Robert Gurney creates North Adams House for suburban site near Washington DC The interior features earthy finishes such as white oak flooring and salvaged-wood wall panels.
The home's upper level bridges over the void space below A wood-clad structure containing the kitchen, open-plan living and dining room, and additional bedrooms, extends across the concrete volumes and open space below. The home's laminated wood structure was left exposed and interior spaces were finished with wood cladding.
The AISC says all equally promote advances in safety, benefits to the local community, and environmental consciousness in addition to their innovations in terms of structuralengineering. “In A total of six projects were honored by the 2024 edition. Read the full post on Bustler
Wood was used for the structural system, and exterior walls were clad in materials influenced by the original home. Neutral hues feature on the interior "The exterior finishes of brick and stained wood are warm and subdued, matching the tone of the old house and blending into the landscape," the team said.
On the opposite wall, an organ is built into the exposed concrete, while narrow stained-glass windows are set within deep, faceted reveals on the southeast side. Read: Nicholas Burns nestles concrete chapel within grounds of Portuguese estate "The 12 funnel-shaped, stained-glass windows serve as metaphors of nature," said Eunsok.
The same brick found on the facades is used for interior surfaces. In the rear, large stretches of glass offer a strong connection to the backyard, which features a reflecting pool with lilies and fish, and a garden filled with native flora, butterflies and birds. Sliding glass doors connect the home to its grassy yard.
These glazed areas help to subtly demarcate the boundaries between interior spaces and a trio of courtyards that separate the restaurant from the house. Glass is used to enclose the interior spaces. Structuralengineer: Jun Sato. Lighting and interior design: Junya Ishigami + Associates. Landscape: SOLSO.
Exterior walls consist of stained cedar and large stretches of glass. The primary suite leads to a glass-lined balcony To the other side of the atrium are more intimate areas – a den, gym and sauna, along with guest quarters. Its interior is illuminated by a large skylight Both light- and dark-stained cedar were used on the facades.
The lower bar is board-formed concrete that is carved away with glass and steel, while the upper bar is clad in phenolic wall panels. On the interior, the architecture studio used a simple palette in line with the client's desire for "white space" on a page. Interiors were created from a palette of "simple and clean" materials.
At the back of the second storey, a new steel bifold glass door opens onto a 1,000-square-foot outdoor terrace. Read: Format Architecture Office imbues Manhattan office with "boutique sensibility" and cafe seating The interiors of the store were designed as a collaborative effort by German studios Holzrausch and OHA.
Located in the Poet's Corner conservation area of Herne Hill, the studio was tasked with retaining the late 19th-century building's character while opening up its "disconnected and dark" interiors. The photography is by Jim Stephenson.
The residents have woven a vineyard into the primary suite, and full-height glass in all three bedrooms ensures that every room takes full advantage of views. The interior of the public spaces in the main home are also in dialogue with the other two structures on the site."
Between the glass-enclosed lower level and the rooftop deck, there isn’t a bad seat in the house. The interiors and furniture are made of western red cedar due to its great characteristics for saunas and outdoor uses. It is built as a wood structure on top of a catamaran steel hull. Have one to share? Post it here.
Polished concrete floors and white walls characterise the interior On the main level, the kitchen, dining and living rooms cluster together, fading to the exterior through the slanted window wall with concealed window frames that extend the panoramic view. The photography is by Ema Peter.
I’m probably wearing my rose-colored glasses as I look back, but I’m pretty sure life was simpler and the world a little less complex and hurried when I started in architecture than it is today. I’ve seen building codes become more voluminous, expectations grow unreasonably, and litigiousness rise to worrisome levels.
On the opposite side, where the gates are, the face of the structure is mostly glass. Many of the walls and the ceilings of the interior are also standing-seam metal, but painted in white. MEP engineering, special systems, asset management: Arora Engineers, Inc. The photography is by Ema Peter.
SAOTA has completed a residence on an elevated site in Los Angeles The project was designed by Cape Town-based SAOTA , alongside US architect and developer David Maman and the Belgian interior designer Dieter Vander Velpen. Large stretches of glass break up the cladding and bring in natural light. The photography is by Mike Kelley.
Jensen Architects simplified and opened up the layout of the primary structure. Sliding glass doors along the courtyard provide an indoor-outdoor connection. Interior finishes include wall slats made of Douglas fir and flooring made of wooden piers from San Francisco's old Transbay Terminal. A studio was added in the rear.
We organize all of the trending information in your field so you don't have to. Join 59,000+ users and stay up to date on the latest articles your peers are reading.
You know about us, now we want to get to know you!
Let's personalize your content
Let's get even more personalized
We recognize your account from another site in our network, please click 'Send Email' below to continue with verifying your account and setting a password.
Let's personalize your content