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Underground utilities such as electricity, water, sewer and gas utilities have also broken and are currently unusable. The chapel itself is at risk for irrevocable damage if methods to save the chapel are not taken in the coming weeks," said the team. "The
Behind them, a layer of glass doors allows closer control of the relationship to the outdoors. They contain utilities and storage areas, allowing the use of the central area to be changed. On the facades of the dwelling, folding timber-framed screens covered in white fabric allow this room to be completely opened up.
Brick structures are connected by a glass walkway that stretches through the garden. The strategy was to deconstruct the building and extend the plan through the site, so as to maximise the experience of 'living in a garden'," said the studio. The passageway leads from the guest and utility area to the main living space.
A sweeping glass band rises behind the lectern, balancing on the horizon, drawing the external terrain in. The structure’s sculptural interior, carved from glass-fiber reinforced concrete, follows the lead of its ancient inspiration. Inside, parallel ribbons of glazing encase the perimeter.
Architecture +Glass P.C. Hooftstraat 138 By UNStudio , Amsterdam, Netherlands UNStudio took glass as a jumping point in this design for a unique and distinctive flagship store. Also known as “The Looking Glass,” this retail property’s facade celebrates textiles, both in form and function.
Choose Ethically and Locally Sourced Materials Glass Brick Dwelling in Bayi Village, Weinan by Xi’an University of Architecture and Technology Design and Research Institute, Shaanxi, China Work closely with local suppliers and manufacturers to source materials that adhere to ethical production standards.
Choose Ethically and Locally Sourced Materials Glass Brick Dwelling in Bayi Village, Weinan by Xi’an University of Architecture and Technology Design and Research Institute, Shaanxi, China Work closely with local suppliers and manufacturers to source materials that adhere to ethical production standards.
Architects GOA translated their towering, tapered silhouettes into graphic forms — a series of pyramidal frustums of varying heights, crowning a dining space framed by expansive glass walls. Permeable surfaces are employed to stunning effect. A counterpoint to the adjacent city skyline, the resort sits in harmony with the natural world.
Four trunk-like forms shoot up toward the glass ceiling, their lamellate composition evoking the ridges of bark. To ensure the views remained unimpeded, the innovative scheme utilizes freestanding oak volumes to segment the open-plan interior and form enchanting rooms within a room.
Considering functions and environmental protection, the designer did not reorganize the apartment’s structure but divided the functional layout of the space utilizing deconstructionism while proceeding from the perspective of creativity and art. Living room. A generally light-colored wooden veneer forms the bedside background wall.
The large-scale glass windows, exposed external units of the electric door, and exquisitely crafted metal parts seem to transcend reality in the dim light, implying the uncertainty of the deconstructed future. The suspended volume, curved glass, wooden texture, and VI design on the steps all contribute to an overall unified look.
Therefore, service and utility spaces such as kitchen, restroom and a vertical connection for public use were arranged into the extension and the building next door, leaving the villa for pure culinary experience. Metaphorically being deconstructed by “fire”, these elements create a more vivid and warm interaction amongst people.
Green jade, glass and flying “butterflies” create an immersive, surreal secret world, which brings surprising sensory and emotional experience to guests as entering the elevator hall. .” The garden-themed elevator hall incorporates flowing light and shadows, which surround delicate natural, handmade artworks.
Located on the university campus, it takes the form of an ambiguous landscape wall rather than a typical utility shed. Crafted with mouth blown glass, the collection reveals the individual and unique texture of subtly illuminated glass. The result is a one of a kind glass texture within every luminaire produced.
Square House is best described as subtly deconstructive. The intersecting diagonal lines refer to Art Deco motifs as well as to stained glass paneling, while the opaque, ivory glaze blends in perfectly with the façades of the surrounding buildings. Left: Elisabeth Lee; right: Dabao Primary School and Community Cultural Centre.
Also included is a series of gold vessels designed to be used in the Muslim cleansing ritual Wudhu before prayer and a suspended sculpture made up of glass droplets. Carrying utilities such as water, sewage and gas, they form ever-growing webs throughout Qatar, a dynamic which the artist intricately weaves into the webs of her textiles.
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